
Limp, the body of Gorrister hung from the pink palette; unsupported—hanging high above us in the computer chamber; and it did not shiver in the chill, oily breeze that blew eternally through the main cavern. The body hung head down, attached to the underside of the palette by the sole of its right foot. It had been drained of blood through a precise incision made from ear to ear under the lantern jaw. There was no blood on the reflective surface of the metal floor.
When Gorrister joined our group and looked up at himself, it was already too late for us to realize that, once again, AM had duped us, had had its fun; it had been a diversion on the part of the machine. Three of us had vomited, turning away from one another in a reflex as ancient as the nausea that had produced it.
Gorrister went white. It was almost as though he had seen a voodoo icon, and was afraid of the future. “Oh, God,” he mumbled, and walked away. The three of us followed him after a time, and found him sitting with his back to one of the smaller chittering banks, his head in his hands. Ellen knelt down beside him and stroked his hair. He didn’t move, but his voice came out of his covered face quite clearly. “Why doesn’t it just do us in and get it over with? Christ, I don’t know how much longer I can go on like this.”
It was our one hundred and ninth year in the computer.
He was speaking for all of us.
Nimdok (which was the name the machine had forced him to use, because AM amused itself with strange sounds) was hallucinating that there were canned goods in the ice caverns. Gorrister and I were very dubious. “It’s another shuck,” I told them. “Like the goddam frozen elephant AM sold us. Benny almost went out of his mind over that one. We’ll hike all that way and it’ll be putrified or some damn thing. I say forget it. Stay here, it’ll have to come up with something pretty soon or we’ll die.”
Benny shrugged. Three days it had been since we’d last eaten. Worms. Thick, ropey.
Nimdok was no more certain. He knew there was the chance, but he was getting thin. It couldn’t be any worse there, than here. Colder, but that didn’t matter much. Hot, cold, hail, lava, boils or locusts—it never mattered: the machine masturbated and we had to take it or die.
Ellen decided us. “I’ve got to have something, Ted. Maybe there’ll be some Bartlett pears or peaches. Please, Ted, let’s try it.”
I gave in easily. What the hell. Mattered not at all. Ellen was grateful, though. She took me twice out of turn. Even that had ceased to matter. And she never came, so why bother? But the machine giggled every time we did it. Loud, up there, back there, all around us, he snickered. It snickered. Most of the time I thought of AM as it, without a soul; but the rest of the time I thought of it as him, in the masculine … the paternal … the patriarchal … for he is a jealous people. Him. It. God as Daddy the Deranged.
We left on a Thursday. The machine always kept us up-to-date on the date. The passage of time was important; not to us, sure as hell, but to him … it … AM. Thursday. Thanks.
Nimdok and Gorrister carried Ellen for a while, their hands locked to their own and each other’s wrists, a seat. Benny and I walked before and after, just to make sure that, if anything happened, it would catch one of us and at least Ellen would be safe. Fat chance, safe. Didn’t matter.
It was only a hundred miles or so to the ice caverns, and the second day, when we were lying out under the blistering sun-thing he had materialized, he sent down some manna. Tasted like boiled boar urine. We ate it.
On the third day we passed through a valley of obsolescence, filled with rusting carcasses of ancient computer banks. AM had been as ruthless with its own life as with ours. It was a mark of his personality: it strove for perfection. Whether it was a matter of killing off unproductive elements in his own world-filling bulk, or perfecting methods for torturing us, AM was as thorough as those who had invented him—now long since gone to dust—could ever have hoped.
There was light filtering down from above, and we realized we must be very near the surface. But we didn’t try to crawl up to see. There was virtually nothing out there; had been nothing that could be considered anything for over a hundred years. Only the blasted skin of what had once been the home of billions. Now there were only five of us, down here inside, alone with AM.
I heard Ellen saying frantically, “No, Benny! Don’t, come on, Benny, don’t please!”
And then I realized I had been hearing Benny murmuring, under his breath, for several minutes. He was saying, “I’m gonna get out, I’m gonna get out …” over and over. His monkey-like face was crumbled up in an expression of beatific delight and sadness, all at the same time. The radiation scars AM had given him during the “festival” were drawn down into a mass of pink-white puckerings, and his features seemed to work independently of one another. Perhaps Benny was the luckiest of the five of us: he had gone stark, staring mad many years before.
But even though we could call AM any damned thing we liked, could think the foulest thoughts of fused memory banks and corroded base plates, of burnt out circuits and shattered control bubbles, the machine would not tolerate our trying to escape. Benny leaped away from me as I made a grab for him. He scrambled up the face of a smaller memory cube, tilted on its side and filled with rotted components. He squatted there for a moment, looking like the chimpanzee AM had intended him to resemble.
Then he leaped high, caught a trailing beam of pitted and corroded metal, and went up it, hand-over-hand like an animal, till he was on a girdered ledge, twenty feet above us.
“Oh, Ted, Nimdok, please, help him, get him down before—” She cut off. Tears began to stand in her eyes. She moved her hands aimlessly.
It was too late. None of us wanted to be near him when whatever was going to happen, happened. And besides, we all saw through her concern. When AM had altered Benny, during the machine’s utterly irrational, hysterical phase, it was not merely Benny’s face the computer had made like a giant ape’s. He was big in the privates; she loved that! She serviced us, as a matter of course, but she loved it from him. Oh Ellen, pedestal Ellen, pristine-pure Ellen; oh Ellen the clean! Scum filth.
Gorrister slapped her. She slumped down, staring up at poor loonie Benny, and she cried. It was her big defense, crying. We had gotten used to it seventy-five years earlier. Gorrister kicked her in the side.
Then the sound began. It was light, that sound. Half sound and half light, something that began to glow from Benny’s eyes, and pulse with growing loudness, dim sonorities that grew more gigantic and brighter as the light/sound increased in tempo. It must have been painful, and the pain must have been increasing with the boldness of the light, the rising volume of the sound, for Benny began to mewl like a wounded animal. At first softly, when the light was dim and the sound was muted, then louder as his shoulders hunched together: his back humped, as though he was trying to get away from it. His hands folded across his chest like a chipmunk’s. His head tilted to the side. The sad little monkey-face pinched in anguish. Then he began to howl, as the sound coming from his eyes grew louder. Louder and louder. I slapped the sides of my head with my hands, but I couldn’t shut it out, it cut through easily. The pain shivered through my flesh like tinfoil on a tooth.
And Benny was suddenly pulled erect. On the girder he stood up, jerked to his feet like a puppet. The light was now pulsing out of his eyes in two great round beams. The sound crawled up and up some incomprehensible scale, and then he fell forward, straight down, and hit the plate-steel floor with a crash. He lay there jerking spastically as the light flowed around and around him and the sound spiraled up out of normal range.
Then the light beat its way back inside his head, the sound spiraled down, and he was left lying there, crying piteously.
His eyes were two soft, moist pools of pus-like jelly. AM had blinded him. Gorrister and Nimdok and myself … we turned away. But not before we caught the look of relief on Ellen’s warm, concerned face…
We moved slowly. There was often fainting, and we would have to wait. One day he decided to cause an earthquake, at the same time rooting us to the spot with nails through the soles of our shoes. Ellen and Nimdok were both caught when a fissure shot its lightning-bolt opening across the floorplates. They disappeared and were gone. When the earthquake was over we continued on our way, Benny, Gorrister and myself. Ellen and Nimdok were returned to us later that night, which abruptly became a day, as the heavenly legion bore them to us with a celestial chorus singing, “Go Down Moses.” The archangels circled several times and then dropped the hideously mangled bodies. We kept walking, and a while later Ellen and Nimdok fell in behind us. They were no worse for wear.
But now Ellen walked with a limp. AM had left her that.
It was a long trip to the ice caverns, to find the canned food. Ellen kept talking about Bing cherries and Hawaiian fruit cocktail. I tried not to think about it. The hunger was something that had come to life, even as AM had come to life. It was alive in my belly, even as we were in the belly of the Earth, and AM wanted the similarity known to us. So he heightened the hunger. There is no way to describe the pains that not having eaten for months brought us. And yet we were kept alive. Stomachs that were merely cauldrons of acid, bubbling, foaming, always shooting spears of sliver-thin pain into our chests. It was the pain of the terminal ulcer, terminal cancer, terminal paresis. It was unending pain …
And we passed through the cavern of rats.
And we passed through the path of boiling steam.
And we passed through the country of the blind.
And we passed through the slough of despond.
And we passed through the vale of tears.
And we came, finally, to the ice caverns. Horizonless thousands of miles in which the ice had formed in blue and silver flashes, where novas lived in the glass. The downdropping stalactites as thick and glorious as diamonds that had been made to run like jelly and then solidified in graceful eternities of smooth, sharp perfection.
We saw the stack of canned goods, and we tried to run to them. We fell in the snow, and we got up and went on, and Benny shoved us away and went at them, and pawed them and gummed them and gnawed at them, and he could not open them. AM had not given us a tool to open the cans.
Benny grabbed a three quart can of guava shells, and began to batter it against the ice bank. The ice flew and shattered, but the can was merely dented, while we heard the laughter of a fat lady, high overhead and echoing down and down and down the tundra. Benny went completely mad with rage. He began throwing cans, as we all scrabbled about in the snow and ice trying to find a way to end the helpless agony of frustration. There was no way.
Then Benny’s mouth began to drool, and he flung himself on Gorrister …
In that instant, I felt terribly calm.
Surrounded by madness, surrounded by hunger, surrounded by everything but death, I knew death was our only way out. AM had kept us alive, but there was a way to defeat him. Not total defeat, but at least peace. I would settle for that.
I had to do it quickly.
Benny was eating Gorrister’s face. Gorrister on his side, thrashing snow, Benny wrapped around him with powerful monkey legs crushing Gorrister’s waist, his hands locked around Gorrister’s head like a nutcracker, and his mouth ripping at the tender skin of Gorrister’s cheek. Gorrister screamed with such jagged-edged violence that stalactites fell; they plunged down softly, erect in the receiving snowdrifts. Spears, hundreds of them, everywhere, protruding from the snow. Benny’s head pulled back sharply, as something gave all at once, and a bleeding raw-white dripping of flesh hung from his teeth.
Ellen’s face, black against the white snow, dominoes in chalk dust. Nimdok, with no expression but eyes, all eyes. Gorrister, half-conscious. Benny, now an animal. I knew AM would let him play. Gorrister would not die, but Benny would fill his stomach. I turned half to my right and drew a huge ice-spear from the snow.
All in an instant:
I drove the great ice-point ahead of me like a battering ram, braced against my right thigh. It struck Benny on the right side, just under the rib cage, and drove upward through his stomach and broke inside him. He pitched forward and lay still. Gorrister lay on his back. I pulled another spear free and straddled him, still moving, driving the spear straight down through his throat. His eyes closed as the cold penetrated. Ellen must have realized what I had decided, even as fear gripped her. She ran at Nimdok with a short icicle, as he screamed, and into his mouth, and the force of her rush did the job. His head jerked sharply as if it had been nailed to the snow crust behind him.
All in an instant.
There was an eternity beat of soundless anticipation. I could hear AM draw in his breath. His toys had been taken from him. Three of them were dead, could not be revived. He could keep us alive, by his strength and talent, but he was not God. He could not bring them back.
Ellen looked at me, her ebony features stark against the snow that surrounded us. There was fear and pleading in her manner, the way she held herself ready. I knew we had only a heartbeat before AM would stop us.
It struck her and she folded toward me, bleeding from the mouth. I could not read meaning into her expression, the pain had been too great, had contorted her face; but it might have been thank you. It’s possible. Please.
Some hundreds of years may have passed. I don’t know. AM has been having fun for some time, accelerating and retarding my time sense. I will say the word now. Now. It took me ten months to say now. I don’t know. I think it has been some hundreds of years.
He was furious. He wouldn’t let me bury them. It didn’t matter. There was no way to dig up the deckplates. He dried up the snow. He brought the night. He roared and sent locusts. It didn’t do a thing; they stayed dead. I’d had him. He was furious. I had thought AM hated me before. I was wrong. It was not even a shadow of the hate he now slavered from every printed circuit. He made certain I would suffer eternally and could not do myself in.
He left my mind intact. I can dream, I can wonder, I can lament. I remember all four of them. I wish—
Well, it doesn’t make any sense. I know I saved them, I know I saved them from what has happened to me, but still, I cannot forget killing them. Ellen’s face. It isn’t easy. Sometimes I want to, it doesn’t matter.
AM has altered me for his own peace of mind, I suppose. He doesn’t want me to run at full speed into a computer bank and smash my skull. Or hold my breath till I faint. Or cut my throat on a rusted sheet of metal. There are reflective surfaces down here. I will describe myself as I see myself:
I am a great soft jelly thing. Smoothly rounded, with no mouth, with pulsing white holes filled by fog where my eyes used to be. Rubbery appendages that were once my arms; bulks rounding down into legless humps of soft slippery matter. I leave a moist trail when I move. Blotches of diseased, evil gray come and go on my surface, as though light is being beamed from within.
Outwardly: dumbly, I shamble about, a thing that could never have been known as human, a thing whose shape is so alien a travesty that humanity becomes more obscene for the vague resemblance.
Inwardly: alone. Here. Living under the land, under the sea, in the belly of AM, whom we created because our time was badly spent and we must have known unconsciously that he could do it better. At least the four of them are safe at last.
AM will be all the madder for that. It makes me a little happier. And yet … AM has won, simply … he has taken his revenge …
I have no mouth. And I must scream.
Mallory is an Editor of The Toast.
Mallory NOOOOOOOOO
Mallory, your brain is a gift to mankind, and possibly should be taken apart and studied for science.
This is clearly a “goose that laid golden eggs” situation. Maybe we should ask if Mallory can write while in an MRI machine or CAT scanner.
When my boyfriend and I were first dating, I picked up his copy of Ellison’s “Angry Candy”, the first story in the collection being “Paladin of the Lost Hour”, which is great but emotionally shattering. He came home from getting breakfast supplies at the store and found me red-eyed and visibly upset but trying to hide it. He was like “and I got eggs and milk and…oh my god, are you OK?” I pointed to the book and he said “oh, Paladin of the Lost Hour, huh?” and enveloped me in a hug.
Ellison might be a douche in his personal life but he can tear you apart with his words.
“Ellison might be a douche in his personal life”
I have no prior exposure to this author, but reading the original piece lead me to this conclusion, no need for further evidence.
Harlan Ellison-Pay The Writer
I’m linking that video because it’s one of those things that easy to agree with and less likely to ruin anybodies day by causing them to mentally yell at Ellison for the rest of the week.
That said imagine that personality applied to absolutely everything and being wrong at least as often as any other human. I suspect he gets like that when ordering pie at a Denny’s.
Strangely, his Wikipedia article mentions that he once got into a food fight in Denny’s because “the staff disappeared and they could not get their check”.
“I have mouth.”
I’m cured, this story no longer haunts me.
MALLORY
Play as multiple characters? **I** get to choose the order?? This sounds great!! 🙂
Every time I read this story I’m all “okay, one woman… okay, the characters appear to think of her as their personal access to sex… ugh, the narrator keeps count of who has the most access to her… go be a jelly blob, dude, I do not care about your mouth or your screaming.”
Also the fact that she’s very clearly a black woman makes it even grosser. Then again, what else do you expect from Harlan Ellison?
I suddenly understand what everyone is talking about re: Harlan Ellison now. Why is so much classic scifi LIKE this??
It doesn’t even make sense. She’s made out to be some kind of nymphomaniac and yet she doesn’t have orgasms? What?
Well it’s supposed that AM has caused her to compulsively want/have sex despite getting no pleasure and thinking it’s sinful, though I’m not sure why, if AM is such a sadist we’re allowed to assume the men *do* get off on it. I feel like AM certainly has the power to cause them to essentially grimly rape each other–which until I just re-read it right now I thought was the case–but no apparently it’s to much to ask even in this existential hellworld.
Oh, I got a different reading from it (although it’s the first time I’ve read the story and maybe I wasn’t paying full attention). I thought the references to Ellen were supposed to be clearly from the narrator’s warped viewpoint, and were intended to show that he had lost his empathy along with the rest of his freedom? He keeps going on about how he’s the only one to retain his sanity and reason but this is questionable by his descriptions of Ellen and the paranoia that they’re laughing at him later. So the descriptions of her as a slut etc are meant to be abhorrent to the reader – of course she’s not wild about ‘servicing’ anyone, he is clearly deluded to think so. I thought that was what made his pseudo-redemption at the end more poignant when he chooses to kill the others rather than save himself – he realises his mistake, and ends up looking non-human on the outside too.
And, actually, everyone but Ted seems generally decent toward each other. There’s a description of two of the characters carrying Ellen, which seems creepy and weird in the context of them using her as a sexual object, and a bit male-chauvinist, but maybe they’re just being nice! And they’re all actually pretty nice to Benny when he gets blinded.
Okay, no, also Gorrister kicks her for crying. But, still, if that hadn’t happened, maybe from everyone else’s POV they could be a mutually supportive free-love commune that finally gets to enjoy the sweet embrace of death and it’s a story about friendship with a happy ending. Yay.
But, yeah, never trust anyone who says “they’re all crazy assholes except for me!” Emphasis original:
“I was the only one still sane and whole. Really!
AM had not tampered with my mind. Not at all.”
That almost ruined the story for me the first time I read it. That in a world of endless pain and suffering and horror, dudes still gotta have entitlement to a female body. God forbid they maybe treat her like a participant in the world instead of using her like a living fleshlight.
This is the first time I read it and it definitely ruined the story for me.
That ruined it for me just now, so fair enough.
I kind of thought that it made the story scarier. In a world where literally everyone else is dead, you’re stuck with four dudes who will never see you as anything more than a sex object. Forever.
This seems like the appropriate place to tell the story about how I tried to take a classic sci-fi course at Hunter. Was a bit worried when the syllabus had I think one short story by LeGuin and no other women. Was more worried when the teacher went on and on about how much he loved stormship troopers. The movie. This was our first reading, we had to do some writing about our impressions of it. I, of course, mentioned the disgusting misogyny/racism. The (white, male, natch) teacher told me it was satire. I disagreed. He accused me of getting “emotional” and being “too involved”.
Only class I’ve ever quit, and I full-on flounced in the middle of that class, right after he said that. I also wrote a letter complaining about him to the dean and head of the english department, though I doubt it did any good. Being a pulsing jelly would serve him right.
Starship Troopers (the book) was militaristic, fascist propaganda. The movie was a direct satire of this and of the American military industrial complex. Someone liking the Starship Troopers movie specifically (as opposed to the book) is usually a good sign.
Yeah, it made the story un-scary for me? Like, “oh, ok, this isn’t how the apocalypse will play out, it’s just your prototypical weird male power fantasy. We deal with that every damn day.”
Hurray! I have never read this story and now I don’t need to! I am 100% sure this version is better.
I had never read any this story until now. I wish I had remained in that state of ignorance.
This is the first time I have read it but I assure you Mallory’s version is better.
Ah, this version is by Elision, no?
A++
how’s that for your “About Me” section on a dating profile:
“I will describe myself as I see myself: I am smooth with eyes. My arms move. I have mouth.”
“My breasts are nicely separated, but perhaps a tad too big, and I am entirely unlike a parrot. But getting back to my [horribly mutilated] body…”
“Perhaps the time has come for me to describe myself (?)”
An ‘I Have No Mouth’ Fact That I Know: Nimdok was entirely cut from the video game in France and Germany because his section of the game took place in Nazi Germany.
In a ham-fisted fashion, this meant the game was missing parts and so you couldn’t get to an ending. But then, that’s sort of appropriate.
I Have No Golden Ending And I Must Scream
“This is a great story, Harlan. What d’ya wanna call it?”
/jauntily snaps fingers
“The Aristocrats!”
ACTUAL LOL
I feel a lot like you’re trying to shatter our collective psyches before the Toast comes to an end.
But that video game was so good tho.
I just read the wiki page about it and HOW DID THAT GAME GET MADE IT IS HORRIFYING.
I have no earthly idea. Apparently someone thought it would make money????
Still readily available for purchase at a reasonable price in a form easily used on current computers, too. (Sadly, we’ll probably never see the likes of “Callahan’s Crosstime Saloon” again, at least not legally.)
*sob* Callahaaaaaan
Harlan Ellsion is gonna be so mad.
(He is always so mad)
So angry he cannot move. He cannot eat. He cannot sleep. He can just barely growl. Bound so tightly with tension and anger, he approaches the state of rigor mortis.
somehow this just makes it more horrifying
This is a thing of beauty.
*tiny screams from reading the crossed out bits* Nooooooooooooo
Maybe the exact opposite: "I Have a Mouth, But I Don't Really Need to Scream Right Now". Although I guess that's what this is. And yet, it does kind of make me need to scream.
Toast comment section: MALLORY, NO!!!
Mallory: MALLORY YES
(I’m going to try to go back to forgetting that this story exists in the world. But also I once made a piece of art that used pictures of Hello Kitty and the title of this story.)