When I found out at the age of 22 that I was not somehow failing at being liked by others, but that a series of horribly well-meant mistakes by my parents, teachers and pediatricians had kept me from the autism diagnosis I should have had when I was eight, the only thing that cheered me up for months was hunting for serial killers in Copenhagen and Malmö.
GENIUS: Ghostwriter manipulates letters of text in books, newspapers, what have you, to form clues that help the youths solve mysteries. His abilities transcend anagrammar. Most likely because he is a ghost.
Cars are sexy, beautiful creations that promise a world of speed and freedom. They are also symbols of risk and danger. By the episode’s end, neither Mary nor Edith is entirely ready to embrace the risks of a new relationship. But, as Tom says, "Being hurt is part of being alive."
The men and women who queued up to see Downton were expected to be envious and larcenous. Instead, they were serious-minded and inquisitive. In a series of quick vignettes, we see Cora, Edith, and Mary all stumped by basic questions about art, architecture, and history. Only Molesley, standing in the background, seems to know who painted the paintings, but he is silenced by his position in the hierarchy.
Sunday night’s episode of Downton Abbey felt different. What seems to be a simple domestic drama can be read, instead, as a dream-like meditation on the menace of war and the corrosive power of secrecy. This episode works through symbols and allusions, rather than Downton’s usual blend of realism and exposition.
Can hard work get you ahead? Will laziness be punished with a fall? To what extent do our parents’ fortunes determine our own? The answers to these questions say a great deal about what it’s like to live in a particular time and place. If this season of Downton Abbey has an argument thus far, it is that social mobility is increasing.