In the final pages of Leslie Feinberg’s Stone Butch Blues, Jess Goldberg has a dream: “I felt my whole life coming full circle. Growing up so different, coming out as a butch, passing as a man, and then back to the same question that had shaped my life: woman or man?” This question shaped Feinberg’s life urgently, but what is striking about Feinberg’s life—and work—is how she always reached for greater complexity

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