Literary Ladies Cage Fight: Toddlers and Tiaras -The Toast

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ditaLaura Sook Duncombe’s previous Literary Ladies Cage Fight columns can be found here.

Hey, ladies! It’s me, Aphrodite (but you can call me Dita since we’re gal-pals now). Artie is off trying to convince Elizabeth Warren to run in 2016, so she left me to do the column this time! I am so super jazzed about it, both because I get to write about awesome literary ladies but also because my sister is finally trusting me to do something important. Even though we joke a lot (well, she jokes) about hating each other, I really look up to her! I want us to be super close. We could be like Melissa McCarthy and Sandra Bullock in The Heat, making the world a better place while being sassy and beautiful. And maybe Michael Caine can give my sister a makeover…wait, is that a different movie?

Anyway, this week I am tackling a reader request: the pint-sized heroines of Frances Hodgson Burnett’s books for young ladies, Sara Crewe of A Little Princess versus Mary Lennox of A Secret Garden!! Although both of these books have been made into several movies each (<3 u, Shirley Temple!), I have actually read these books because seriously, who hasn’t? They were a big part of my childhood and I know a lot of you readers grew up with these girls, too. One time I even caught Artie weeping while watching the 1995 movie of ALP. She’ll deny it, but she totally used a whole box of tissues. Point is, these books are special. So let’s make them fight!

Same rules as usual: five rounds. Girl with most points wins. Fight friendly, ladies, and here we go!

 

little-princess-book-coverHARRY POTTER HOUSE: Round One

Sara starts out as a spoiled daddy’s girl who is well-behaved and sweet, which is like, no big whoop; if I had every toy known to man and a billion ruffly dresses I would be super friendly too, obvi! But when Sara’s dad dies and the mean old biddy Miss Minchin strips Sara of all her wealth, Sara is still as sweet and generous as she was before. One of my favorite parts of the book is when Sara’s out doing errands and she finds a sixpence. Girl is legit starving, but when she sees a homeless girl, she gives her five of the six buns she just bought. You can’t make this stuff up! Sara is a GRYFFINDOR through and through, incredibly brave and strong. She is the best. Like, the best best.

Mary, on the other hand, has a serious attitude problem for most of the book. I mean yeah, her parents were basically Daisy and Tom Buchanan, too into parties and being rich and oppressing Indians to take care of their daughter. She was raised by servants, who granted her every wish. Cry me a river, you know? But thanks to a cholera epidemic, Mary’s parents AND servants all die, and Mary is sent to England to live with some relatives whose family relationships are even more messed up than hers. Endlessly curious and with a penchant for not following the rules (and did I mention she’s surly? Like really surly), Mary is a SLYTHERIN.

WINNER: Mary. Girlfriend knows how to look out for herself. She would straight-up knife Sara for that sixth bun.

 

SIDEKICK : Round Two

Sara has a series of sidekicks, including, at one point, a rat (ew). When she’s rich she has a ton of pals, but Sara’s true friend is the scullery maid, Becky. Becky is enamored with Sara, and she’s the one who calls her “princess.” When Sara is forced to be a maid, it’s Becky who shows her the ropes and makes her job less painful. She is completely loyal to Sara and provides a willing audience for all Sara’s stories. And when Sara FINALLY gets to go live with the nice man next door, she takes Becky with her. They are besties forever, the best kind of besties that help each other through the worst times.

Mary also has a few sidekicks who overlook her surly nature. Martha the maid is the first one, but Mary’s real partner in crime is Dickon, Mary’s brother and the gardener of Sad House, aka Misselthwaite Manor. He helps Mary get outside and stop sulking already, and eventually helps her spruce up the Secret Garden. (It’s a Secret! Because Uncle Archie’s wife died there after falling out of a tree. Lamest death ever. Be sturdier, Victorian ladies! For realsies!) He has a hunky Cockney accent and probably looks super sexy gardening shirtless. Not that Mary would ever appreciate that, because she’s too busy whining about being rich. Also, I guess she’s just a child and should not be ogling shirtless dudes. Never mind, Mary, I forgive you.

WINNER: Sara. Because Becky. BECKY. I can’t even.

 

LOVE INTEREST: Round Three

Okay, so as previously mentioned, these books are for CHILDREN, so there are not love interests here. Instead, we will compare VILLIANS, because there are some pretty badass baddies in these books.

Sara has to face Miss Minchin, the schoolmistress who makes Miss Hannigan look like Mother Teresa. You know that one ballet teacher you had as a kid who wanted to be a professional ballerina, but didn’t make it, so now she teaches ballet to six-year-olds but secretly hates them all? That’s the Minch-meister. She’s jealous of all Sara’s good qualities and nice stuff, so she’s all “you’re the best, Sara” but probably also has a voodoo doll of her that she stabs every night. Anyway, when it turns out Sara has been ORPHANED and LEFT DESTITUTE, instead of showing the girl (who is the sweetest person on earth) a little sympathy or kindness, Minchin forces her into unpaid labor, making her wait on the girls who once fawned over her. She is a total hag and I totally wish her end was a Cinderella’s stepmom situation where she’s forced to wait on Sara or at least gets her eyes pecked out by birds.

SecretGarden6Mary faces foes throughout, including: cholera, upper-middle-class ennui, Sad House, her creepy uncle, the ghost of her dead aunt (sort of), and her weird shut-in cousin Colin, who also suffers from a bad case of upper-middle-class ennui. Colin is so lame, he makes Mary stop being lame. She’s all, “is that what I look like? Gross. I should stop pouting like it’s an Olympic sport and do something with my life.” It’s like when you think your black square glasses and flannel Urban Outfitters shirt are totally cute, but then you see that dude at Starbucks whose Mac plug is blocking both outlets and he stays there all day blogging or something about how it’s so hard being a sensitive man these days, and you decide to return the flannel and get a sensible skirt suit instead, because you are a grownup and not an overgrown child. That is what Colin does to Mary.

WINNER: This is tough. Mary becomes a better person because of her bad guys, so her villains move the story forward, while Sara does not need any character development because she’s the coolest girl in school, and everyone worships her because she’s Heaven. But Miss Minchin is so terrible, so Old School Nasty, that this round goes to Sara.

TRAGIC FLAW: Round Four

As I’ve already said, Sara is perfect. She is the sweetest, most polite child in the whole world. When it turns out at the end that she’s actually an heiress again and is going back to her life of luxury, YOU CHEER. Can we acknowledge how weird that is? She’s the coworker who runs marathons for charity and has a cute stay-at-home dad husband and is totally great at her job and all you can say is, “She is a super great person.” You physically cannot wish her ill. Her tragic flaw is really and honestly that she doesn’t have one. One hundred points to Gryffindor.

Picking just one flaw for Mary is hard. She’s spoiled, bratty, and pretty damn gloomy for a wealthy white girl. Her biggest flaw is her sour disposition, which makes everyone around her try really hard to make her happy to no avail. How can Martha not put a smile on your face? She has an adorable Cockney accent! Look, I know she gets it together. I know she’s really plucky and fun at the end, and she helps the male members of her family deal with their feelings and stuff. And up against any other girl in the world, she’d be a no-holds-barred hero. But you can’t help but seem bitchy next to Sara “Princess” Crewe. You just can’t.

WINNER: Mary, because she actually has a flaw, which technically fulfills the requirement of this category. (Look at me, using big words! Artie’s not the only smart one around here.)

HAPPY ENDING?: Round Five

How exciting! We are tied 2-2. Whoever wins this round gets all the marbles. It will be a nail-biter, because these are books for children, which means they usually end happily after ever. But who ends happiest?

Sara’s new neighbor turns out to be her late father’s business partner, who has been searching for her to give her all of the money her dad was owed. (Is it too late to call Sara’s dad a villain? He’s super bad at math, makes bad investments, and then dies without making sure Sara is provided for. Poor Life Decisions, Mr. Crewe!) She gets to escape the hellhole of Miss Minchin’s school and gets all her fancy stuff back. She even gets to take Becky with her as her personal attendant! I always wish Becky could be freed from servitude by the neighbor…like passed off as Sara’s cousin or something. But whatever. She’s probably happy serving Sara forever, because her heart is made of gold and she’s just that loyal. Some movies have Sara’s dad come back at the end, which IMO makes the ending too sappy. But regardless—she doesn’t have to be a maid anymore, she gets to live with the kind old dude and a pet monkey (!), and she gets to stay with Becky. Her first act as a rich girl? She goes back to the baker and sets up a fund so that poor, starving girls can always be fed. Sara is the real deal, ladies.

Confession time: Mary’s ending has made me tear up more often. Her poor stupid uncle, finding his weenie son walking in the now-beautiful garden…I’m not crying, YOU’RE crying. Anyway, Mary’s life was already pretty awesome (have you SEEN the conditions of servants in your world, Mary? Open your eyes, girl!), but she does turn her frown upside-down and bring joy to the other residents of Sad House. So that’s something. And the garden is really pretty. So pretty.

WINNER: It’s a photo finish, but the winner is Sara! Because you know that if Mary ever got her house in India back, she’d ditch Colin, Dickon, and Martha in a second and never look back. You gotta admire that the girl is tough, and does what it takes to survive, but Sara survives too—while never abandoning her sparkly magical goodness.

 

Thank you so much for being here with me, ladies! Artie will be back next time, but I am never far away. Go read a book! It’s good for the complexion.

Laura Sook Duncombe lives in Alexandria, Virgina with her husband and a mutt named Indiana Bones, Jr. Musical theater, pirates, and Sherlock Holmes are a few of her favorite things. Her work can be found on the Toast, the Hairpin, Jezebel, and at her blog.

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THIS IS THE BEST THING.

Now, to get my useless pedantry out of the way, Yorkshire ≠ Cockney.

(back to admiring the best-ness of this thing)
she’s the coolest girl in school, and everyone worships her because she’s Heaven

!!!

I cannot call you Dita, Aphrodite because that is the nickname of the 5-year old boy who lives next door. I have no idea why his sister calls him that.

Also: they're in Yorkshire, not London.
This post is seriously like those emails in which Nicole naively makes sensible financial decisions. CRAZY.
I have died and gone to heaven.

Thank you.
YES this is amazing. I had those exact editions of the books, with the Tasha Tudor illustrations, when I was a kid, and now I feel like I need to go track down some copies and re-read them.

One of the interesting things about these two stories when you look at them side-by-side is that though they're in many ways very similar (sheltered little girl's life changes dramatically and she's forced to cope with unfamiliar/difficult circumstances), they are SO DIFFERENT in terms of the main characters' journeys. Like you point out, the conflict in Mary's story is very internal--there's no real villain, so the focus is on Mary's personal growth, the way she becomes less selfish and learns to connect with/improve the world around her. Whereas Sara is pretty much a perfect angel the entire way through, and the conflicts she needs to overcome are all external--losing her father, losing her fortune, dealing with the loathsome Miss Minchin.

Though I feel like I should like Mary more, I can't help but love all the mean-girl boarding school drama in A Little Princess. Also, Becky.
7 replies · active 528 weeks ago
Sara also learns to check her privilege, as it were—she's not self-absorbed, but there's a lot she doesn't know about other people's lives.

And yeah, the bit about Becky becoming her personal maid at the end always made me angry. After Sara being all "it's only our circumstances that make us different, and the only reason I'm cleverer than you is because of my education," you'd think she'd make it to "well, what if we gave Becky the same circumstances and education?"

But what made me even angrier was after the first Magic Night when Sara gave Becky her old mattress and blanket. A true princess would have divided the luxuries evenly—maybe one person got the old mattress and the new blankets, for example.
Becky was way too good for Sara.

Did anyone else want Mary and Dickon to ditch Colin and run off together, once Colin was successfully reunited with his dad? I always thought that could be a happy ending. Mary and Dickon could run wild on the moors like a slightly nicer Catharine and Heathcliff, Colin and his dad could travel the world, and Martha could finally put her feet up and chill for a bit.
I will admit to only ever having seen the 90s movie versions of these books, but I always wanted that too. At the end of the movie Dickon rides off on his gray pony without a backward glance and it made me so sad. He's not, like, leaving forever or anything, just going off to do his own thing as he always does, but it still feels like a strong gesture of dissociation and made me cry because Mary has to stay behind with her stupid annoying family. Ugh.
If it makes you feel better (??), in the 80's version the The Secret Garden, Dickon dies in WWI. Makes that pony ride seem less sad now, right?
That's the most depressing thing ever.
Ben tells grown up Mary that he died in the Argonne Forest, so at least he's among green and living things.
(This was MY movie growing up, so I have it basically memorized.)
There is one sequel that I kinda want to read because the many 1-star reviews include things like "I can't see Colin calling out Dickon's name while he's in an intimate situation with Mary. I also had a hard time believing Colin was gay or bisexual. I also had a hard time believing Mary just fell into bed with Dickon with no commentary on how she professed her feelings for him or vice versa. I don't understand Dickon patronizing prostitutes, or having an affair with Mary while she is married to someone else. I don't see Mary jumping into marriage with a guy she hardly knows, when we ALL KNOW her heart is really with Dickon." (Return to the Secret Garden by Susan Moody, Amazon review).

From the 1990s movie I always read it as 'both Colin and Dickon are in love with Mary, Dickon with true love and Colin with jealous love b/c he doesn't want to be the gooseberry". When I watched it again a few years ago, I read it as "Colin thinks he is in love with Mary b/c he doesn't want to be the gooseberry, but in fact is in lust with Dickon and in deep denial". Just my personal reading of the second half of that movie. Maybe there's a happy ending with all three of them shacking up together?
I approve of the Tasha Tudor covers choice, because they are the only proper illustrations, in my opinion. One of my friend's had a full portrait size painting of The Secret Garden cover on her wall done by Tudor.
Minchmeister!!
Teka Lynn's avatar

Teka Lynn · 528 weeks ago

Yorkshire! YORKSHIRE!
So I always assumed as a kid that the tree branch broke because full-term pregnant Mrs. Craven was just too much for it, but... that seems ridiculous in retrospect. No branch strong enough for you to sit on is going to come crashing down because you're a little heavier than you were a month ago. Right? Physics?
2 replies · active 528 weeks ago
I thought that she started to go into premature labor while swinging, and her labor spasms broke the branch. That makes even less sense than your childhood theory.
editrickster's avatar

editrickster · 528 weeks ago

Apparently I wasn't paying attention, because I assumed that a giant bough fell onto Mrs. Craven and gave her a concussion or something.
Thank GAWD Mary won. I went to school with Liesel Pritzker (stage name Liesel Matthews) who played Sarah Crewe in the 1995 movie, and she was such an awful bully. I mean, I get that you'll be mean when your family owns half of Chicago, but she took cruelty to an extreme. I was so happy when she transferred out to go be an actress. It kind of ruined that story for me, though. I'll always have Shirley Temple, though!

Boo, I just saw that Sara actually won. Damn, you Page 2!
1 reply · active 528 weeks ago
Also: BBC LITTLE PRINCESS MINISERIES FTW.
These just keep getting better. More please!
I love this so much, I read and reread these books as a child. On to the nitpick: Dickon was NOT the gardener at the manor, Ben Weatherstaff was. Dickon did enjoy gardening but he was only like 12 years old in the book.
I am using Sad House from now on though, that is perfect.
This is so great! Loved both these books (and 90s movies). The music in TLP always got me.

Bit confused in the Sidekick round where Dickon is referred to as Mary's brother, and then basically analysed as a love interest tho? I thought he was just a 'local lad' hence any ogling of him by her is legit.
1 reply · active 528 weeks ago
I think that should say that he's Martha's brother.
Too bad Little Lord Fauntleroy is not a literary lady, because I could get into a Battle of the Overly Nice Children between him and Sara. Except that LLF would probably find it unchivalrous to fight a girl.
Maybe read this and realize why using lame (uncool, stupid, boring) to refer to a character who actually fits the definition of lame (infirm, paralyzed, unable to move) is super not cool. http://disabledfeminists.com/2009/10/12/ableist-w...
I used to confuse the two books in my head all the time, and now I realize why.
Hello! Thanks for pointing this out. I did not realize this word was offensive. I am sorry for any offense caused, and I will not use it in my writing in the future! I appreciate you pointing this out.
1 reply · active 528 weeks ago
And thank you for responding so well. I have enjoyed the series otherwise.
I loved both of these books as a kid and I still love them. My grade school copy of A Little Princess is very tattered. I like both stories for different reasons. Sara because her misfortunes help draw out that she's already a pretty decent person who responds to adversity with grace and dignity, and Mary because her transformation into a more thoughtful and interesting person is really good. I think one of the key reasons that Sara starts off at such a different place than Mary, despite them both having been indulged a lot as young kids, is that Sara's dad, before sending her off to boarding school, was very much present in her life and very obviously loved her. Unlike Mary, whose parents ignored her and who was raised by servants whom she was expected to view as inferiors (and who, despite spoiling her because that was their job, probably didn't like her very much because of that), Sara had the benefit of secure attachment to a loving parent,. When Mary is finally treated as though she matters as a person, first by Martha, then by Dickon, she starts to blossom and is even able to share that transformation with someone else, Colin, because she's finally able to see others as people, too. Sara, who had always treated others with respect, learns first-hand what the servant classes in England experienced, and it makes her an even more compassionate person. It is frustrating that Becky ends up just being Sara's maid at the end, but given the class system in England at the time, it would have been extremely controversial of the author to elevate her to Sara's equal, even though I think Sara's character would have been consistent with such an action.

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