Madeline Kahn Monday: Madeline and Bernadette Peters -The Toast

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I knew there was a reason I always used to mix up Madeline Kahn and Bernadette Peters; the reason was that the universe was going to give me a porcelain-throated duet between the two of them. I still don’t like Sondheim (SORRY NICOLE AND ALSO EVERYONE), but at least I have this, and now so do you.

(The quality is so bad to remind us that all things this side of Eternity are imperfect. Now we see through a glass but darkly.)

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See, and Sondheim (and this song) got me to like Madeline Kahn, life is a rich tapestry, etc.
3 replies · active 483 weeks ago
You know, normally life is a rich tapestry, but in this case, you are simply mistaken.
You are a MONSTER.
THOSE ARE FIGHTING WORDS.

And I will run and hide behind Nicole and be her hype man/chorus member with multisyllabic rhyme schemes.
While I shed a single tear at your lack of love for Mr. Sondheim, I have to say that "It's Always A Woman" is definitely not among his finer efforts. (The jokes are strained and there's a faint mist of sexism over the whole thing.)

If you still aren't a fan after listening to Madeline Kahn sing "Not Getting Married Today" (https://www.youtube.com/watch?v=PrRDrz53Q1E) or Bernadette Peters sing "Not a Day Goes By" (https://www.youtube.com/watch?v=5kMlQgyz834), then there's nothing to be done.
5 replies · active 483 weeks ago
Which is probably why it was cut! Though I love the line "She almost looks human/it must be the lighting."

The other songs you posted are amazing.
Excellent point. Though so was "There Won't Be Trumpets", which is pretty terrific, so who knows what they were thinking.

Granted, "who knows what they were thinking" is likely to be the phrase one keeps thinking while watching ANYONE CAN WHISTLE. It's such an unholy mess.
I was once cast as a Boy in a cross-gender casting of Anyone Can Whistle, and you’re right. It's an aggressive mess, but there are some beautiful moments. Most people restore There Won't Be Trumpets (which was mostly cut because the show was was long) and not There's Always a Woman, which even Sondheim admits is mediocre.
My husband and I (rabid Sondheim fans) have never really taken to Anyone Can Whistle, but my 13-yr-old daughter LOVES it and has memorized all the songs. However, she's never seen the actual show. Maybe that's for the best.
There is something about the show's "But who are the REAL crazy people?" theme that is well-designed to appear to very smart adolescents. I definitely liked it more when I was younger than I do now. (Also, I was a lot more inclined to fall in love with musicals for their verbal and musical inventiveness and not so much pay attention to their dramatic successes or failures then.)
I'm kinda "meh" about Sondheim, soooo...
I don't particularly care for Sondheim either. Solidarity!
5 replies · active 483 weeks ago
both of you can pack your shit and GTFO (Mallory does not like musical theater, she will let you back in)
I LIKE SEVEN BRIDES FOR SEVEN BROTHERS
No,
You are complete, Mallory,
You are your own.
We do not belong together.
You are complete, Mallory,
You all alone.
I am unfinished,
I am diminished
With or without you.
We do not belong together,
And we should have belonged together.
What made it so right together
Is what made it all wrong.
You don't like Sondheim and you don't like Hamilton, so you best g'wan run back where you come from. That's just heresy.
I mean, Mallory, it isn't just that they sang a song together, it's that they did a WHOLE MUSICAL TOGETHER WITH ANGELA LANSBURY COMPLETING THE TRIO.

(also Scott Bakula but whatevs)

Look up Anyone Can Whistle 1995 on your favorite soundtrack-obtaining service.
I'm so sorry but that Corinthians reference always makes me scream TILL WE HAVE FACES.

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