Amy Collier’s previous work for The Toast can be found here.
Amy Collier once saw Fabio at an airport. Fabio is an Italian model who has appeared on many classic romance novels, such as Love Me with Fury, Lovestorm, and More Than a Feeling. He is 6’3” barefoot; usually in cowboy boots.
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Oh look! I found some history about Guy Debord's "The Muppets":
Though the name "Guy Debord" is now synonymous with two things: Situationist philosophy and The Muppets, this pairing of passions was not as easily reconciled as you might think. "I had to fight really hard not to be pigeon-holed as a Marxist theorist in the puppeteering community," Debord once said. "They told me 'Kids don't want to hear about how the concrete life of everyone has been degraded to a speculative universe, Guy.' I said 'How about we let the children decide that?'"
Decide they did.
Years later, we remember him as both a Marxist visionary who criticized societies where modern conditions of production prevail in which all of life presents itself as an immense accumulation of spectacles, and the beloved man who brought Kermit, Miss Piggy, as well as many other characters into our hearts.
Resistance from puppeteers was not Debord's only concern, unfortunately. As his interest in puppetry grew, fellow Situationists criticized Guy for contributing to the very capitalist media they accused of sedating the masses. Now Debord was being questioned on both sides.
Debord recalled this difficult period with wistful optimism. “Sometimes you just have to follow your dreams. See what's on the other side of the rainbow." His Marxist compatriots were less fond of this rainbow connection. Like so many images detached from every aspect of life fused into a common stream in which the unity of this life can no longer be reestablished, rainbows are visions—but only illusions.
"So now I'm in a place where they're throwing around words like 'marketing' and 'franchise' and 'the spectacle commodity' and I'm like guys, what's with all this infighting? Why can't you just try to accept that I see this as self-expression of my art, not the nightmare of imprisoned modern society which ultimately expresses nothing more than its desire to sleep? Why can't we be together again?"
Without the support of his Situationist friends, Debord stood to lose everything. One night while walking down a street under the moon and lamenting his emotional status in the form of a choreographed song, an idea struck him. “It was pretty bold. But it had just the right amount of pizazz to impress the Situationist execs.” Debord arranged for all of the Situationists to be brought into an old theater, where he told them there would be a talk on commodity fetishim. Instead, they were shown Debord's first full-length feature film starring The Muppets.
Though at first rabbling and general outcry sounded in the audience, when theorists saw Debord's Muppets for themselves, they were quickly won over by the lovable banter between Kermit and Piggy, an ensemble cast of spectacular variety, and endless musical numbers. The rest is Marxist and puppet history.
Pity that his philosophy and puppetry will always eclipse his work in board game design. Maybe if legal troubles hadn't prevented the release of Le Jeu de la Guerre (Édition des Muppets), history would have awarded him a third feather for his cap.
"I insist on the opportunity to throw the Kriegspiel into the stunned world as soon as we can," wrote Debord to Lebovici early in 1978. "The cinema seems to me to be over. [...] I believe that these times don't deserve a filmmaker like me."
Printing out the Gonzo one about boredom. FOR REAL. I haven't been bored since I was eleven when someone told me "Boredom is the ultimate insult to oneself." I realize there are exceptions--those poor souls in solitary confinement--but at this point in my life, I would occasionally welcome boredom once in a great while.
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freshwaterpearl 112p · 549 weeks ago
amymcollier 114p · 549 weeks ago
Though the name "Guy Debord" is now synonymous with two things: Situationist philosophy and The Muppets, this pairing of passions was not as easily reconciled as you might think. "I had to fight really hard not to be pigeon-holed as a Marxist theorist in the puppeteering community," Debord once said. "They told me 'Kids don't want to hear about how the concrete life of everyone has been degraded to a speculative universe, Guy.' I said 'How about we let the children decide that?'"
Decide they did.
Years later, we remember him as both a Marxist visionary who criticized societies where modern conditions of production prevail in which all of life presents itself as an immense accumulation of spectacles, and the beloved man who brought Kermit, Miss Piggy, as well as many other characters into our hearts.
Resistance from puppeteers was not Debord's only concern, unfortunately. As his interest in puppetry grew, fellow Situationists criticized Guy for contributing to the very capitalist media they accused of sedating the masses. Now Debord was being questioned on both sides.
Debord recalled this difficult period with wistful optimism. “Sometimes you just have to follow your dreams. See what's on the other side of the rainbow." His Marxist compatriots were less fond of this rainbow connection. Like so many images detached from every aspect of life fused into a common stream in which the unity of this life can no longer be reestablished, rainbows are visions—but only illusions.
"So now I'm in a place where they're throwing around words like 'marketing' and 'franchise' and 'the spectacle commodity' and I'm like guys, what's with all this infighting? Why can't you just try to accept that I see this as self-expression of my art, not the nightmare of imprisoned modern society which ultimately expresses nothing more than its desire to sleep? Why can't we be together again?"
Without the support of his Situationist friends, Debord stood to lose everything. One night while walking down a street under the moon and lamenting his emotional status in the form of a choreographed song, an idea struck him. “It was pretty bold. But it had just the right amount of pizazz to impress the Situationist execs.” Debord arranged for all of the Situationists to be brought into an old theater, where he told them there would be a talk on commodity fetishim. Instead, they were shown Debord's first full-length feature film starring The Muppets.
Though at first rabbling and general outcry sounded in the audience, when theorists saw Debord's Muppets for themselves, they were quickly won over by the lovable banter between Kermit and Piggy, an ensemble cast of spectacular variety, and endless musical numbers. The rest is Marxist and puppet history.
Sean_Sullivan 142p · 549 weeks ago
amymcollier 114p · 549 weeks ago
amymcollier 114p · 549 weeks ago
Sean_Sullivan 142p · 549 weeks ago
hththe1st · 549 weeks ago
(Also, what the balls is wrong with the comment system? CHANGE IS BAD.)
CleverManka 143p · 549 weeks ago
Anti_kate 97p · 549 weeks ago
Jason Pramas · 549 weeks ago
academianut30 91p · 549 weeks ago
Peter · 549 weeks ago
stephiecakes 80p · 548 weeks ago
anarchyisorder 0p · 482 weeks ago
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